In dance, even the weakest can do wonders.

It removes the limitations of his body, extinguishes his consciousness, and pours the divine spirit into him. The whirl dance is the purest form of dance devotion.

In the earliest cultures any tie between the dancers is slight. In a higher level the choral dancers almost always touch one another and thus force themselves into the same stride and the same movement. The closer the contact, the stronger is the social character of the choral.

Only the tango has continued to enjoy undiminished favor for more than twenty years in spite of polishing and refinement. To be sure, it is no pure Negro dance and owes its best qualities to the unusual dance talents of the Spaniards.

The adult who puts his arm around his companion in the ballroom, and the child in the roadway, skipping in a round dance - they forget themselve, they dissolve the weight of earthly contact and the rigidity of daily existence. The soul slips into a twilight stage.

The English dance unites the guests of an evening by the spell of rhythmical movement into a chance casual community.

Whatever the nature of dance, it needs no onlooker, not even a single witness.