You can dress it up, but it comes down to the fact that a movie is only as good as its script.

Whereas to write, all you need is paper and an idea, so I felt that writing might be my stepping stone.

Consequently, their school [film-school ] was the school of life, and it was very much reflected in their work.

Even though L.A Confidential box-office was a fraction of, say, Titanic or the Grinch movie, it finds its audience and will continue doing so for who knows how long, because of the basic thing we love about movies, which is storytelling and performances.

I make that distinction only because I came to it strictly as someone who was just a lover of storytellers and cinematic storytellers.

It was just a wonderful experience, one for the memory book for sure. The sad thing about it was that the picture came under this absurd cloud of controversy. Here was a movie based on the central theme that racism is something that is taught, and it's illustrated by this story of a dog and the efforts of humans to re-train it after it had been trained to go after black people. And it created this ridiculous controversy and wound up being the last Hollywood movie that Sam [Fuller] made.

I was a journalist and wrote about filmmakers, but I didn't review movies per se.