Graffiti is linear and it's done with a pencil, and it's like writing on walls. But in my paintings it's more lyrical.

I hate roses. Don't you? It's all right if you can hide them in a cutting garden, but I think a rose garden is the height of ick.

It's instinctive in a certain kind of painting...It's like a nervous system. It's not described, it's happening. The feeling is going on with the task. The line is the feeling, from a soft thing, a dreamy thing, to something hard, something arid, something lonely, something ending, something beginning.

And we who have always thought of happiness climbing, would feel the emotion that almost startles when happiness falls.

I would’ve liked to have been Poussin, if I’d had a choice, in another time.

I sit for two or three hours and then in 15 minutes I can do a painting, but that's part of it. You have to get ready and decide to jump up and do it; you build yourself up psychologically, and so painting has no time for brush. Brush is boring, you give it and all of a sudden it's dry, you have to go. Before you cut the thought, you know?

Every line is the actual experience with its own unique story.