[My mother] was taking me to Shakespeare In The Park when I was like 6. There was just a lot of theater-going and a lot of movie-going and a lot of discussion about it afterwards, dissecting it and stuff.

I have a lot of shoes.

The panelists on To Tell The Truth, which is the one that I really knew, they cared about getting it right. They wanted to guess, you know? Although, when I was on as a contestant, the one time I was on as a contestant, apparently they had a rule, which was that when children were on, everybody would get a vote - and Kitty Carlisle voted for me.

[My mother] worked in the Seagram's Building; it's kind of an iconic '60s skyscraper on a floor so high that your ears popped. And all the women - the whole thing was so very Mad Men, very glamorous.

I feel that the thing about film and particularly about TV, actually, is it's being created now. We're living in the best time so far because there are many more women writing and women directing, women producing, and people are finally catching on to the fact that women want to go and buy tickets to see female characters and more than one in a film. So I actually think it's a very fertile time to be a woman over 40.

Some friends of mine who are actors feel directing shuts them down and kills all their impulses, but the worst thing for me is if I feel a director hasn't noticed.

There's a way in which I feel like, when you're on an enormous film and there's an enormous crew and there are three cameras and there are like 20 setups for every scene, first of all, it's very... I find it very intimidating. And it's also sort of deadening in a way.