Nancy Reagan actually took some movies that she didn't want to take because they were [with Ronald Reagan] really strapped for cash.

[My mother] worked in the Seagram's Building; it's kind of an iconic '60s skyscraper on a floor so high that your ears popped. And all the women - the whole thing was so very Mad Men, very glamorous.

My mother has battled breast cancer three times.

When you're on a lower-budget film, with one guy who maybe has a camera strapped to him, you're a much bigger part of that pie. You can be a sliver in a big Hollywood movie, but you can be a quarter of that indie movie pie. And I feel like, first of all, there is a real freedom that you feel from that, because it's like, you know what, if this is terrible, nobody's gonna ever see it, so I can be more brave.

Your good friend has just taken a piece of cake out of the garbage and eaten it. You will probably need this information when you check me into the Betty Crocker Clinic.

I never felt like there was an unconscious part of me around that woke up or that came out of the closet; there wasn't a struggle, there wasn't an attempt to suppress.

As the population is, in general, aging, there is more interest in what a 50-year-old, a 60-year-old, a 70-year-old, an 80-year-old is like. And one of the things that just naturally started to happen as I got older - and I could feel younger people looking up to me in a certain way and wanting to know things that I knew - I got interested in the women, in particular, who were 20 years older than me. Because I understand in a way that I didn't 20, 30 years ago, how much they know.