The art of fiction is freedom of will for your characters.

Why do men carry guns and build prison camps, when the nurturing earth is made for freedom?

I would distinguish between a visitor and a pilgrim: both will come to a place and go away again, but a visitor arrives, a pilgrim is restored. A visitor passes through a place; the place passes through the pilgrim.

One reason writers write is out of revenge. Life hurts; certain ideas and experiences hurt; one wants to clarify, to set out illuminations, to replay the old bad scenes and get the Treppenworte said -- the words one didn't have the strength or ripeness to say when those words were necessary for one's dignity or survival.

The trouble with happiness is that it never notices itself.

One reason writers write is out of revenge.

What's impossible not to notice, though - it's all around us - is the diminution of American prose: How pedestrian it has become. Pick up any short story and listen to its voice, the tedious easy vernacular that mistakes transcription for realism. This would display an understandable pragmatism if it were a pandering to common-denominator readers; but it is, in fact, a kind of hifalultin literary ideology, the less-is-more Hemingway legacy put through an up-to-the-minute industrial blender.