We are so placid that the smallest tremor of objection is taken as a full-scale revolution.

Traveling is seeing; it is the implicit that we travel by.

It's true that the young who now flock to script writing, or producing and directing, to fulfill the demands of these new devices would, in an earlier period, have been submitting to magazines and working on their first novels. But even in the midst of all these "digital products," the wonder of it is that there are still so many young writers who continue to believe in the venerable print novel as the corridor to fame and fortune.

In the compact between novelist and reader, the novelist promises to lie, and the reader promises to allow it.

The usefulness of madmen is famous: they demonstrate society's logic flagrantly carried out down to its last scrimshaw scrap.

Nothing is so awesomely unfamiliar as the familiar that discloses itself at the end of a journey. Nothing shakes the heart so much as meeting-far, far away-what you last met at home.

I was so mad at my agent. I had polished and polished and polished [the play], and he referred to it as a draft. I wrote him a bitter letter: How can you call this a draft? I don't do drafts! By now I've done 18, and its turning, in the rehearsal room, into a 19th.