A mistake which is commonly made about neurotics is to suppose that they are interesting. It is not interesting to be always unhappy, engrossed with oneself, malignant and ungrateful, and never quite in touch with reality.

The dread of loneliness is greater than the fear of bondage, so we get married.

Hemingway is great in that alone of living writers he has saturated his work with the memory of physical pleasure, with sunshine and salt water, with food, wine and making love and the remorse which is the shadow of that sun.

A woman's desire for revenge outlasts all her other emotions.

In America every woman has her set of girl-friends; some are cousins, the rest are gained at school. These form a permanent committee who sit on each other's affairs, who come out together, marry and divorce together, and who end as those groups of bustling, heartless well-informed club-women who govern society. Against them the Couple of Ehepaar is helpless and Man in their eyes but a biological interlude.

If Montaigne is a man in the prime of life sitting in his study on a warm morning and putting down the sum of his experience in his rich, sinewy prose, then Pascal is that same man lying awake in the small hours of the night when death seems very close and every thought is heightened by the apprehension that it may be his last.

Melancholy and remorse forms the deep leaden keel which enables us to sail into the wind of reality.