If Montaigne is a man in the prime of life sitting in his study on a warm morning and putting down the sum of his experience in his rich, sinewy prose, then Pascal is that same man lying awake in the small hours of the night when death seems very close and every thought is heightened by the apprehension that it may be his last.

The American language is in a state of flux based upon survival of the unfittest.

In America every woman has her set of girl-friends; some are cousins, the rest are gained at school. These form a permanent committee who sit on each other's affairs, who come out together, marry and divorce together, and who end as those groups of bustling, heartless well-informed club-women who govern society. Against them the Couple of Ehepaar is helpless and Man in their eyes but a biological interlude.

Slums may well be breeding grounds of crime, but middle class suburbs are incubators of apathy and delirium.

The detective story itself is in a dilemma. It is a vein which is in danger of being worked out, the demand is constant, the powers of supply variable, and the reader, with each one he absorbs, grows a little more sophisticated and harder to please, while the novelist, after each one he writes, becomes a little more exhausted.

Nothing dates like hate and in literature a little of it goes a very long way.

No one over thirty-five is worth meeting who has not something to teach us, something more than we could learn for ourselves, from a book.