There is no more sombre enemy of good art than the pram in the hall.

There cannot be a personal God without a pessimistic religion. As soon as there is a personal God he is a disappointing God.

In the dream of approaching forty I saw myself as about to die and realized that I was no longer myself, but a creature inhabited entirely by parasites, as a caterpillar is occupied by the grubs of the ichneumon fly. Gin, whisky, sloth, fear, guilt, tobacco, had made themselves my inquilines; alcohol sloshed about within, while tendrils of melon and vine grew out of ears and nostrils; my mind was a worn gramophone record, my true self was such a ruin as to seem non-existent, and all this had happened in the last three years.

An aesthetic movement with a revolutionary dynamism and no popular appeal should proceed quite otherwise than by public scandal, publicity stunt, noisy expulsion and excommunication.

A great writer created a world of his own and his readers are proud to live in it. A lesser writer may entice them in for a moment, but soon he will watch them filing out.

When I contemplate the accumulation of guilt and remorse which, like a garbage-can, I carry through life, and which is fed not only by the lightest action but by the most harmless pleasure, I feel Man to be of all living things the most biologically incompetent and ill-organized. Why has he acquired a seventy years life-span only to poison it incurably by the mere being of himself? Why has he thrown Conscience, like a dead rat, to putrefy in the well?

Were I to deduce any system from my feelings on leaving Eton, it might be called The Theory of Permanent Adolescence. It is the theory that the experiences undergone by boys at the great public schools, their glories and disappointments, are so intense as to dominate their lives and to arrest their development. From these it results that the greater part of the ruling class remains adolescent, school-minded, self-conscious, cowardly, sentimental, and in the last analysis homosexual.