She wished some help would come from outside. But in the whole world there was no help. Society was terrible because it was insane. Civilized society is insane. Money and so-called love are its two great manias; money a long way first. The individual asserts himself in his disconnected insanity in these two modes: money and love.

It's bad taste to be wise all the time, like being at a perpetual funeral.

Marriage and deathless friendship, both should be inviolable and sacred: two great creative passions, separate, apart, but complementary: the one pivotal, the other adventurous: the one, marriage, the centre of human life; and the other, the leap ahead.

This is what I believe: That I am I. That my soul is a dark forest. That my known self will never be more than a little clearing in the forest. That gods, strange gods, come forth from the forest into the clearing of my known self, and then go back. That I must have the courage to let them come and go. That I will never let mankind put anything over me, but that I will try always to recognize and submit to the gods in me and the gods in other men and women. There is my creed.

For even satire is a form of sympathy. It is the way our sympathy flows and recoils that really determines our lives. And here lies the vast importance of the novel, properly handled. It can inform and lead into new places our sympathy away in recoil from things gone dead. Therefore the novel, properly handled, can reveal the most secret places of life: for it is the passional secret places of life, above all, that the tide of sensitive awareness needs to ebb and flow, cleansing and freshening.

Don't be sucked in by the su-superior, don't swallow the culture bait, don't drink, don't drink and get beerier and beerier, do learn to discriminate.

An artist is only an ordinary man with a greater potentiality--same stuff, same make up, only more force. And the strong driving force usually finds his weak spot, and he goes cranked, or goes under.