After all, the world is not a stage-not to me: nor a theatre: nor a show-house of any sort. And art, especially novels, are not little theatres where the reader sits aloft and watches...and sighs, commiserates, condones and smiles. That's what you want a book to be: because it leaves you so safe and superior, with your two-dollar ticket to the show. And that's what my books are not and never will be...Whoever reads me will be in the thick of the scrimmage, and if he doesn't like it if he wants a safe seat in the audience-let him read someone else.

Every profound new movement makes a great swing also backwards to some older, half-forgotten way of consciousness.

It's no good trying to get rid of your own aloneness. You've got to stick to it all your life. Only at times, at times, the gap will be filled in. At times! But you have to wait for the times. Accept your own aloneness and stick to it, all your life. And then accept the times when the gap is filled in, when they come. But they've got to come. You can't force them.

There is a brief time for sex, and a long time when sex is out of place. But when it is out of place as an activity there still should be the large and quiet space in the consciousness where it lives quiescent. Old people can have a lovely quiescent sort of sex, like apples, leaving the young quite free for their sort.

The real tragedy of England, as I see it, is the tragedy of ugliness. The country is so lovely: the man-made England is so vile.

Men are free when they belong to a living, organic, believing community, active in fulfilling some unfulfilled, perhaps unrealized purpose.

Recklessness is almost a man's revenge on his woman. He feels he is not valued so he will risk destroying himself to deprive her altogether.