Not that the Red Indian will ever possess the broad lands of America. At least I presume not. But his ghost will.

It seems to me a purely lyric poet gives himself, right down to his sex, to his mood, utterly and abandonedly, whirls himself roundtill he spontaneously combusts into verse. He has nothing that goes on, no passion, only a few intense moods, separate like odd stars, and when each has burned away, he must die.

The great virtue in life is real courage that knows how to face facts and live beyond them.

Every new stroke of civilization has cost the lives of countless brave men, who have fallen defeated by the dragon, in their efforts to win the apples of the Hesperides, or the fleece of gold. Fallen in their efforts to overcome the old, half sordid savagery of the lower stages of creation, and win the next stage.

She had borne so long the cruelty of belonging to him and not being claimed by him.

The artist usually sets out -- or used to -- to point a moral and adorn a tale. The tale, however, points the other way, as a rule. Two blankly opposing morals, the artist's and the tale's. Never trust the artist. Trust the tale. The proper functions of a critic is to save the tale from the artist who created it.

America does to me what I knew it would do: it just bumps me. The people charge at you like trucks coming down on you -- no awareness. But one tries to dodge aside in time. Bump! bump! go the trucks. And that is human contact.