I love Italian opera - it's so reckless. Damn Wagner, and his bellowings at Fate and death. Damn Debussy, and his averted face. I like the Italians who run all on impulse, and don't care about their immortal souls, and don't worry about the ultimate.

To every man who struggles with his own soul in mystery, a book that is a book flowers once, and seeds, and is gone.

You feel free in Australia. There is great relief in the atmosphere - a relief from tension, from pressure, an absence of control of will or form. The Skies open above you and the areas open around you.

There is a brief time for sex, and a long time when sex is out of place. But when it is out of place as an activity there still should be the large and quiet space in the consciousness where it lives quiescent. Old people can have a lovely quiescent sort of sex, like apples, leaving the young quite free for their sort.

I will wait and watch till the day of David at last shall be finished, and wisdom no more fox-faced, and the blood gets back its flame.

I love Italian opera - it's so reckless. Damn Wagner, and his bellowings at Fate and death. Damn Debussy, and his averted face. I like the Italians who run all on impulse, and don't care about their immortal souls, and don't worry about the ultimate.

We only seem to learn from Life that Life doesn't matter so much as it seemed to do - it's not so burningly important, after all, what happens. We crawl, like blinking sea-creatures, out of the Ocean onto a spur of rock, we creep over the promontory bewildered and dazzled and hurting ourselves, then we drop in the ocean on the other side: and the little transit doesn't matter so much.