I should like [people] to like the purely individual thing in themselves, which makes them act in singleness. and They only like to do the collective thing.

I have lived among enough painters and around studios to have had all the theories - and how contradictory they are - rammed down my throat. A man has to have a gizzard like an ostrich to digest all the brass-tacks and wire nails of modern art theories.

What we want is to destroy our false, inorganic connections, especially those related to money, and re-establish the living organic connections, with the cosmos, the sun and earth, with mankind and nation and family. Start with the sun, and the rest will slowly, slowly happen.

For even satire is a form of sympathy. It is the way our sympathy flows and recoils that really determines our lives. And here lies the vast importance of the novel, properly handled. It can inform and lead into new places our sympathy away in recoil from things gone dead. Therefore the novel, properly handled, can reveal the most secret places of life: for it is the passional secret places of life, above all, that the tide of sensitive awareness needs to ebb and flow, cleansing and freshening.

The weakness of modern tragedy[is that] transgression against the social code is made to bring destruction, as though the social code worked our irrevocable fate.

Logic might be unanswerable because it was so absolutely wrong.

My whole working philosophy is that the only stable happiness for mankind is that it shall live married in blessed union to woman-kind - intimacy, physical and psychical between a man and his wife. I wish to add that my state of bliss is by no means perfect.