Something struck me in Africa, in black Africa, where polygamy is legal: the solitary woman is the rule there, from at an extremely young age, and the children are always the mother's responsibility.

Characters simply come and find me. They sit down, I offer them a coffee. They tell me their story and then they almost always leave. When a character, after drinking some coffee and briefly telling her story, wants dinner and then a place to sleep and then breakfast and so on, for me the time has come to write the novel.

There are still countries where women don't enjoy basic rights like the vote or the freedom to study or the freedom of choice in marriage. Every year there are twenty million little girls in Africa who are deprived of their sexuality through brutal genital operations. Basically, there's still much to be done.

Success is something you should never take into consideration: if you follow it it'll elude you. It's important to really love your work as a writer, to read loads to the point where you can recognise blindfolded, hearing them read, the writers of yesterday and today. It's important to write every day, for hours. To have faith in your imagination and let it wander.

For my whole life I have dedicated myself to those who have been subjected to injustice. I've conducted investigations and written in newspapers about the homeless, the incarcerated, the sick excluded from care, about child labor, child exploitation, etc.

It's easier to change a law than an age-old mentality. Deep down, many prejudices, many hostilities, many fears persist. But if we take a look at all the peoples in the world, we have to realize that the condition of women is very backward and sometimes very sad, from both the social and psychological points of view.

A painter's hand has a thirst for thieving, it steals from heaven and makes a gift to the memories of men, it feigns eternity and it delights in this pretence almost as if it had created rules of its own, more durable and more profoundly true.