It seems like the world is so fast to move its interest to someone else. When I think about filmmakers and actresses that I have admired my whole life, I've admired their entire body of work. I have admired what they began with and what they're doing now. And now I feel like there's such a weird pressure to find the new face. I don't get it at all. I want to see women evolve. I want to see a body of work. I want to see all of it.

I think there’s a part of a woman that wants to be the thing that breaks a man down.

I felt so much when I was fifteen, sixteen, seventeen, I felt everything. I didn't understand [myself], I was so happy yet so angry and sad. That was the point when I realized that I needed to tell stories and make characters come alive and I needed to make people cry, and make people angry, and make people happy, and make them laugh.

I love doing improv. I love comedy. I have always felt this way, even when I was really young.

I was attracted to the positive outlook on women especially exploring relationships with different people and being confident and comfortable and strong. That was the kind of thing that was appealing to me, because that's what's real, and that's honest, and it's nothing to be ashamed of. That's what single women do.

If it doesn't have sex scenes in it, I won't do it.

I think people, especially the press, like to pick on children of famous people and I think that's fucking awful. Things get made up. It's so, so sad. And there's absolutely nothing you can do about it as a 16-year-old. You're like, Why? What did I do?