There are some days when I can do my thing and be in the world and walk around, and it's fine. And then there are other days where it's totally not fine, and I want to crawl into a hole and die. And it's the most invasive and worst.

It seems like the world is so fast to move its interest to someone else. When I think about filmmakers and actresses that I have admired my whole life, I've admired their entire body of work. I have admired what they began with and what they're doing now. And now I feel like there's such a weird pressure to find the new face. I don't get it at all. I want to see women evolve. I want to see a body of work. I want to see all of it.

I felt so much when I was fifteen, sixteen, seventeen, I felt everything. I didn't understand [myself], I was so happy yet so angry and sad. That was the point when I realized that I needed to tell stories and make characters come alive and I needed to make people cry, and make people angry, and make people happy, and make them laugh.

If it doesn't have sex scenes in it, I won't do it.

It depends on the story and the filmmaker. And it depends on the character, and the heart and soul of the person that I see on the page, and if it resonates with something that I think I can summon in myself.

I was attracted to the positive outlook on women especially exploring relationships with different people and being confident and comfortable and strong. That was the kind of thing that was appealing to me, because that's what's real, and that's honest, and it's nothing to be ashamed of. That's what single women do.

Being single also sucks sometimes because you're single.