For me, it works best to plan just enough to come up with a good direction to head out in. Then I start down the path as soon as I can, without a very clear idea of what exactly I'm going to end up with. I try to leave a lot of time for flexibility and play and changing direction.

I think that artists and musicians can do as much harm as good for causes if they tie their names to lots of things, especially if they aren't really doing much to meaningfully push their causes forward.

It's the good old paradox of democracy. We are individually pretty small drops in the bucket, but collectively we are all powerful.

I like shooting things in single takes. You have to rely on the idea itself to carry the full weight; you're always watching the idea, not the filmmaking.

I can have fairly crippling self-criticism. It doesn't really put me in a vulnerable state, I just get glum and intolerable, but it certainly is a vulnerability.

I will say that the lead cosmonaut trainer - I mean, we were working with professional cosmonaut trainers outside of Moscow. And the lead one, at the end of the project, announced to the entire group that he wanted Trish [Sie] to be on his team forevermore.

I'm passionate about music, food, books, film, blah, blah. The same things everyone is passionate about, no? Love, sex, connection. Peace. Not f - - g up our planet.