Every time I have people over, I watch how long they look at every part of the painting, or pictures on my computer. I have a few close friends and people that are constants. Whether I like their opinion or not, I've been hearing it for a long time and I can use it as this constant. I mentally pay attention to how long they look at every image, which ones they pause on and what parts of it they look at.

I'm a painter, I'm an artist. I take things too far sometimes. I really need some comfort.

I wanted to finally feel better about understanding. I painted my wife because I wanted to understand her. I can talk to her, but I didn't understand why I was so compelled.

I dont think I talk to anybody the same way I talk to Moby.

I'm interested in visual vocabulary, like Andy Warhol was interested in that vocabulary of advertisements and television and pop culture. I do a great deal of tropes. This past decade has seen a new term, "meme," which is exactly what I'm studying.

Each painting, I feel like I kind of might have gotten something. If I feel like I totally got it, there's probably something wrong and it's not finished. And if I really feel like I understand it then I'm done with these paintings and I'll have to do something else.

Photorealism was this fantastic movement in like the late '60s and '70s, because photography finally became something that everyone could produce. Photorealism was and should've been a very short element. But the thing is, photography is so satisfying. Certainly when it's well done.