I've always been really interested in the future, and I feel like all of the movies that I've been exposed to, over the course of the last 20 to 30 years, have shown me a future that I don't really want to be living in.

I place a higher value on work ethic than talent, because, in certain areas, you just need to cast, you need to cast actors with talent, you need to hire directors with talent, but I've worked with very talented people who have a poor work ethic, and the outcome is less desirable than people who are less talented and have an incredible work ethic.

When you're a writer and you're a producer, traditionally the junkets are really focused on the beautiful people and nobody wants to talk to you.

It's television. The reality of it is, if you go on the boards and people are saying, "I saw that coming," or "This is lame," or "I can't believe they're doing this again..." Having been one of those people myself, I know better, and try to avoid it.

If you're constantly hamstrung by worry that people aren't going to like it, you can't do your job.

I feel like the big twist shows are now off the table. I think Westworld was probably the last one to Trojan horse this idea of the young man in black. They were doing non-linear storytelling, but disguising it. Jonah Nolan and Lisa Joy have spoken openly about how they just didn't think people were going to figure it out that fast.

All great sci-fi is: Be careful what you wish for.