I promised myself I would never be one of those people who complained about "Oh man, lots of people are interested in our movie and now I gotta talk about it."

Finding meaning in the relationships that we have with one another - that's the only way to achieve any kind of fundamental true grace and that points to where it all ends up. It's let's stop being away some place, let's be here. It's, let's be in this.

One of the things I've learned is there's no lesson to be learned. You have to resign yourself to the fact that mistakes are going to be made at any time in the creative process.

In really, really good science fiction the line between the science and the fiction is blurry.

I've always believed that a good twist is one that, when it is presented to the audience, half of them say, 'I saw that coming.' And half of them are completely and totally shocked. Because if you don't have the half that saw it coming, then it wasn't fair: You never gave the audience a chance to guess it.

We all look at ourselves in the mirror and think, 'Am I good?'

Part of the fun of the movie is understanding exactly why we called it Prometheus. And also, it sounds really pretentious, like Inception, so we were just like, "Yeah, that makes the movie sound really smart!" It's so much better then my original title, Explosion. Well, there might be an explosion in the movie.