I think one of the problems in determining the ending for a television series is that you don't know how long the show is gonna last. Particularly because we were in the unique position of adapting Tom's Perrotta novel The Leftovers, it always felt like the first season was gonna end with the end of Tom's novel, and then we would figure things out from there and look back.

I'm trying to focus as much on the here and now as possible. To live my life in a way that the humans that I know here on the planet Earth feel like they've been treated with respect by me, whether they're people that I'm very close to or the audience who's watching my work.

I place a higher value on work ethic than talent, because, in certain areas, you just need to cast, you need to cast actors with talent, you need to hire directors with talent, but I've worked with very talented people who have a poor work ethic, and the outcome is less desirable than people who are less talented and have an incredible work ethic.

If you do something awesome, you should be proud of yourself.

Hire people you get along with, and then let them do what they do best.

Ultimately, I just felt like Twitter brought out the worst in me. It made me super defensive when I was attacked, because you're under a constant state of attack. No one should be able to check their @ mentions, because Twitter is the equivalent of "Hey, those three people over there that are whispering... They're whispering about you! Do you want to know what they're saying?"

At some point, you can't take a risk just to take a risk because that's a betrayal, in and of itself.