I feel like the big twist shows are now off the table. I think Westworld was probably the last one to Trojan horse this idea of the young man in black. They were doing non-linear storytelling, but disguising it. Jonah Nolan and Lisa Joy have spoken openly about how they just didn't think people were going to figure it out that fast.

People talk about overnight successes, and ultimately, there's a certain amount of, you want to call it luck or fortune or good fortune, or whatever, but when your moment arrives, you have to have been at a point where you paid your dues, or done your 10,000 hours or have the requisite talent or whatever.

I think the idea that television has evolved to this place of real thematic richness and the fact that you no longer have to get 10 million people to watch your show in order to propagate its survival are the best things that have ever happened to storytelling in this medium.

I love collaborating with different people.

Everything I've ever been a fan of, whether it's Star Wars or the New York Jets, I've also been very hard on at times. It's sort of like, I go to a Jets game, I want them to win, but the minute they fumble the ball, I go, "I f**king knew it! F**king Jets!" That's part of loving something. As long as you love it, you have carte blanche to critique it as well, of course. That's part of being a fan of anything.

At some point, you can't take a risk just to take a risk because that's a betrayal, in and of itself.

The best jokes on The Leftovers are the ones that make you feel a little sick to your stomach.