People say I write specifically about nothing in particular. I don't know about the latter part, but I think the first part is really important in conjuring up a voice that works, or at least the illusion of a voice at work.

It never really interested me in the past but, for the first time, I wanted to make a pop record. I thought a good way of doing it would be to make songs that didn't really make sense to me as songs; songs that I couldn't just sit down and play in front of someone and then get them to play over it.

I was born in 1972, which means that in "rock" terms I have no business addressing "the kids" unless it's to shoo them out of my garden.

I don't really know what's going on with the Pornographers - everyone's kind of doing their own stuff. I mean, they play shows here or there.

It's actually really stereotypical that someone should be 40 and mellow out, but I think it's more about trying to conjure up a different intensity in my head, one where I'm more focused as a singer and hands-on with music and more exacting, and less trying to furiously fit a thousands thoughts into a four minute song.

Kaputt was just a record that did really well for us, and therefore our record label and our booking agent said that we should go out and take our message to the world.

The more I abandon ideas of myself as a musician, the better a singer I become.