Kaputt was just a record that did really well for us, and therefore our record label and our booking agent said that we should go out and take our message to the world.

I can't fool myself into thinking that musically I don't need other people, whether it's as a foil or just to come in and make real the ideas that are kind of vague and wispy in my head.

Once you feel like you can safely quit a melody, you are free to explore more important things.

The more I abandon ideas of myself as a musician, the better a singer I become.

I was born in 1972, which means that in "rock" terms I have no business addressing "the kids" unless it's to shoo them out of my garden.

I certainly didn't predict people who spent years actively disliking the band to all of a sudden like the band. That's pretty funny to me, and it makes playing live kind of interesting, 'cos we're doing lots of things that don't really have a lot to do with that record, and even presenting the songs off that record in a way that's a little more muscular and without as much of the sheen, which is what I think part of what people really liked [about Kaputt].

I'm more focused as a singer and hands-on with music and more exacting, and less trying to furiously fit a thousands thoughts into a four minute song.