I used to struggle a little bit with the idea of how to separate singing from acting and entertaining.

I certainly didn't predict people who spent years actively disliking the band to all of a sudden like the band. That's pretty funny to me, and it makes playing live kind of interesting, 'cos we're doing lots of things that don't really have a lot to do with that record, and even presenting the songs off that record in a way that's a little more muscular and without as much of the sheen, which is what I think part of what people really liked [about Kaputt].

I always start with the lyrics, because starting with the music means the words will be bad.

Most musicians don't write about being a musician cause most musicians aren't writers.

No one appreciates a professional anymore. Everyone's a mystic. Which is why I take drunk Jim over acid Jim - the argument all roads eventually lead to.

I can't fool myself into thinking that musically I don't need other people, whether it's as a foil or just to come in and make real the ideas that are kind of vague and wispy in my head.

Generally, if you could picture a bunch of rock and roll momentum behind a song and it was particularly melodious, maybe the Pornographers would do it. If it was kind of moody and more lyrical, then maybe it would be a Destroyer song. Anything that's really lyrically driven I would keep for Destroyer.