I'm working with fragments a lot of the time and the connective tissue isn't there yet. I think of it the way comics work. You have a block here and a block here, and there's this white space in between. Somehow your mind makes the leap to connect those two blocks. Finding a way to trick your mind into connecting those blocks is one of the fun things for me about writing. You can have those leaps that will emerge into something, if you're lucky.

I have to admit that 'Psychology Today' was one of the first magazines I started reading, back when I was 13 or 14, because I was the kind of kid that was curious about the mysterious human mind - I hoped to learn about telekenisis, multiple personalities, psychosis, and various other cool and terrible things that happened inside people's heads.

You can't count on notoriety lasting very long, and there's no way to predict whether anyone will care about your books or you in three years, let alone ten or twenty.

I think we're always in some ways writing to the teachers who gave us early love.

A conclusion is simply the place where you got tired of thinking.

Writing a short story is a little like walking into a dark room, finding a light and turning it on. The light is the end of the story.

The thing that grounds you, and the thing that really gives you a sense of wholeness, is your family, friends and your community. Those are the things that can mirror back to you what you're experiencing, and can affirm to you that the stories you are telling are true.