There are so many people we could become, and we leave such a trail of bodies through our teens and twenties that it's hard to tell which one is us. How many versions do we abandon over the years?
Dan ChaonI usually have more than one thing I'm working on at once -- I've been working on three different novels. When I get stuck on one, I hop back and forth. It's sort of freeing: I can say I'm abandoning this thing that I hate forever and I'm moving on to something that's good. I'll find that I'll go back to [the other project] in a day or a week and like it again. But that moment of wanting to trash something -- that Virginia Woolf moment when you have to be stopped from filling your pocket with stones -- comes pretty regularly for me. Switching is probably a good thing.
Dan ChaonJulie Orringer is the real thing, a breathtaking chronicler of the secrets and cruelties underneath the surface of middle-class American life. These are terrific stories-wise, compassionate and haunting.
Dan ChaonWriting a short story is a little like walking into a dark room, finding a light and turning it on. The light is the end of the story.
Dan ChaonThere are all kinds of strange threads in American culture, and places where sympathy is extended and places where it isn't, and places where outrage is extended and places where it's not. It's this constantly shifting barrel of eels.
Dan ChaonThere is a stage you reach, Deagle thinks, a time somewhere in early middle age, when your past ceases to be about yourself. Your connection to your former life is like a dream or delirium, and that person who you once were is merely a fond acquaintance, or a beloved character from a storybook. This is how memory becomes nostalgia. They are two very different things - the same way that a person is different from a photograph of a person.
Dan Chaon