It's weird how people hate getting older.

I don't think there's anything wrong in being an entertainer because if at the end of the day people want to forget about their problems or to process their problems through something joyous, I think that's ultimately what my role in this is.

I thought I wouldn't enjoy the business side of music, but it's fun because it is completely - like running a DIY venue was the same exact thing but just on a smaller scale and a DIY tour is the same thing. You're just running a small business. Like we live within the paradigm of capitalism. Even if I'm going in playing these anarcho spaces, I still have to buy gas.

I think the best live shows take you out of the moment into somewhere else and I really...This can be true of recorded music too but my favorite live experience is sort of this transcendendent - is that the word? Transcendental?

When I went to school, it was really just to immerse myself in listening to, studying, and making music. I came out like, "How is this going to be more than a hobby I'm always paying off debt for?" I could've sat at a desk and written pieces for orchestras that never would have been played, or I could've written music for me as a performer. I play electronics, and the places I was gonna be playing were bass clubs and house parties.

I think the hardest part is figuring out what to say no to because the whole start of your career is just begging anybody to let you perform or to contribute music to something. Then it's like turning on a faucet because the moment it's on, people are like, "Oh, you can do stuff? All right. Well, you want to do it every single thing?

I just wanted to make a record that wasn't escapism. Like, I didn't want to write another record that was devoid of meaningful content.