I think there is going to be a large paradigm shift in a few years, and it could either be to a new age of enlightenment and unity and we'll be raised to a new level of consciousness, or it could be a return to a dark age of kings and mass, open oppression followed by a die-off of human culture.

When I went to school, it was really just to immerse myself in listening to, studying, and making music. I came out like, "How is this going to be more than a hobby I'm always paying off debt for?" I could've sat at a desk and written pieces for orchestras that never would have been played, or I could've written music for me as a performer. I play electronics, and the places I was gonna be playing were bass clubs and house parties.

I think there is going to be a large paradigm shift in a few years, and it could either be to a new age of enlightenment and unity and we'll be raised to a new level of consciousness, or it could be a return to a dark age of kings and mass, open oppression followed by a die-off of human culture.

I think the best live shows take you out of the moment into somewhere else and I really...This can be true of recorded music too but my favorite live experience is sort of this transcendendent - is that the word? Transcendental?

I don't think there's anything wrong in being an entertainer because if at the end of the day people want to forget about their problems or to process their problems through something joyous, I think that's ultimately what my role in this is.

That's tangent, but I like the strategizing and thinking about how things are going to fall and thinking of different ways to engage with fans. Ultimately, the goal is for the music to be heard by as many people as possible.

Going back to the paradigm we live in, the only way to do music is if I can sustain living off of it. If I can't live off of it, I'm not going to be able to make as much music.