I like to foster an atmosphere on set of collaboration and openness and risk taking. The beauty is when you have such brilliantly talented people as I did in my cast, you definitely don't want to fetter them in any sense. You want them to be able to go out there and do their thing and feel confident in doing their thing, because ultimately I'm the person who gets the credit which is great.

I've been on lots of film sets. I've produced films and written films and been around, so it wasn't my first rodeo in terms of that stuff. Nothing particularly surprised me, I have to say. I came in and I enjoyed the first day and I enjoyed the last day.

So, as opposed to getting people in to read the script and read scenes with me, what I wanted to do was sit down and chat to these people and just say, "Okay. Do you share my sense of humor? Do you understand what this film is getting at? Do you know the tone that we're trying to get to?" And it was interesting.

In terms of magnifying it and making it plausible, I'm a great believer in truth in comedy.

I learned that I enjoy directing a lot more than I enjoy writing, which is interesting, because writing is lonely and infamous basically.

And then, movie-wise, I'm writing a couple of things. They're all comedies. It's the only way I know. I'm also being sent scripts, which is really nice, kind of off the back of this, so I don't necessarily have to generate my own stuff. I'm just looking for something that's explosively funny and relatable in equal measure.

It's tough to make funny films. And the truth is, with this process, especially if you write your own movie, then you're giving three years of your life to it. And so, I just have to be sure that when I embark on it that I'm happy to think that in three years' time I'm going to be sitting in a room on the tenth floor of an odd office building at Ginsberg Libby talking about it. So I'm keen not to jump into it too quickly and just make sure it's something that I really want.