My casting process was slightly different and slightly interesting insofar as I knew everybody could act. That's something you've seen. You know people can. You've seen them on the screen and you think either they're a good actor or a bad actor. So that's not the point. What I wanted to do was find people who I thought would have a similar comic sensibility.

With directing, your day is done. When you hit seven o'clock, it's "Cut." That's what it is. For better or worse, that's what you've got and you have to make that work, and there's something incredibly liberating about that because you can't torture yourself. You have to focus on the moment, and you have to embrace every second and opportunity and maximize that, whereas with writing, there's no imperative there. You just amble along.

I don't want to sound arrogant and say that I know everything about directing and I've got it cracked, but it was just all in all a joyous experience. To me, the key to directing, to be honest, is just surround yourself with brilliant people and let them do their thing

I learned that I enjoy directing a lot more than I enjoy writing, which is interesting, because writing is lonely and infamous basically.

In terms of magnifying it and making it plausible, I'm a great believer in truth in comedy.

To me, there was an interesting movie to be made about two people who had been on that whirlwind romance and what happens after the fairy tale wedding. And this thought coincided or coalesced when I was at a wedding of a friend who got married to somebody that literally everybody in the congregation thought that you definitely should not get married to. This was the worst idea either of you have ever had.

And then, movie-wise, I'm writing a couple of things. They're all comedies. It's the only way I know. I'm also being sent scripts, which is really nice, kind of off the back of this, so I don't necessarily have to generate my own stuff. I'm just looking for something that's explosively funny and relatable in equal measure.