Artists recognize other artists as soon as the pencil begins to move.

No one inspired me to write, but writer Harlan Ellison terrified me into getting published.

Belief in one's identity as a poet or writer prior to the acid test of publication is as naive and harmless as the youthful belief in one's immortality... and the inevitable disillusionment is just as painful.

Once upon a time ... the only autonomous intelligences we humans knew of were us humans. We thought then that if humankind ever devised another intelligence that it would be the result of a huge project ... a great mass of silicon and ancient transistors and chips and circuit boards ... a machine with lots of networking circuits, in other words, aping-if you will pardon the expression-the human brain in form and function. Of course, AIs did not evolve that way. They sort of slipped into existence when we humans were looking the other way.

There is a certain solipsism to serious illness which claims all of one's attention as certainly as an astronomical black hole seizes anything unlucky enough to fall within its critical radius.

Mystery. The strangeness of place so necessary to some creative spirits. A perfect mixture of the classical utopia and the pagan mystery.

Poetry is only secondarily about words. Primarily, it is about truth. I dealt with the Ding an Sich, the substance behind the shadow, weaving powerful concepts, similes, and connections the way an engineer would raise a skyscraper with the whiskered-alloy skeleton being constructed long before the glass and plastic and chromaluminum appears.