There are many other writers whose work I admire tremendously, but none whose work struck me at just the right young age. Jack Vance taught me that speculative fiction, science fiction, could be wonderfully and liberatingly stylistic. It didn't have to be pulp stuff. He really changed my writing and my view of science fiction, so if nothing else, my little homage to him in the novelette I wrote for that anthology is my thank-you to him. He helped me see that any genre can have excellent writing in it.

The beauty of that June day was almost staggering. After the wet spring, everything that could turn green had outdone itself in greenness and everything that could even dream of blooming or blossoming was in bloom and blossom. The sunlight was a benediction. The breezes were so caressingly soft and intimate on the skin as to be embarrassing.

The young remember most deeply.... When we are old and failing, it is the memories of childhood which can be summoned most clearly.

Barbarians, we call them, while all the while we timidly cling to our Web like Visigoths crouching in the ruins of Rome's faded glory and proclaim ourselves civilized.

There is a certain solipsism to serious illness which claims all of one's attention as certainly as an astronomical black hole seizes anything unlucky enough to fall within its critical radius.

The pack of media brayed and bellowed outside the house for seven weeks. Sol realized then what he had known and forgotten about very small communities: they were frequently annoying, always parochial, sometimes prying on a one-to-one level, but never had they subscribed to the vicious legacy of the so-called "public's right to know".

Poetry is only secondarily about words. Primarily, it is about truth. I dealt with the Ding an Sich, the substance behind the shadow, weaving powerful concepts, similes, and connections the way an engineer would raise a skyscraper with the whiskered-alloy skeleton being constructed long before the glass and plastic and chromaluminum appears.