I think all the simple things can and do still work - holding your child's hand while walking across the street will do it. But we can hardly hear it for all the noise which has turned love into a cliche, and most people can't even hear John Lennon's "All You Need Is Love" anymore without wincing.

Once upon a time ... the only autonomous intelligences we humans knew of were us humans. We thought then that if humankind ever devised another intelligence that it would be the result of a huge project ... a great mass of silicon and ancient transistors and chips and circuit boards ... a machine with lots of networking circuits, in other words, aping-if you will pardon the expression-the human brain in form and function. Of course, AIs did not evolve that way. They sort of slipped into existence when we humans were looking the other way.

You've probably heard about the theory of steam-engine time - that even after the steam engine had been invented, it had to wait until people were ready to make use of it. The same thing happens in literary circles. The truth is, I'm not terribly interested in Victorian times; I'm interested in Victorian writers. I'm interested in most eras of history, but not the Victorian Era especially. I was interested in the John Franklin Expedition. I was interested in these last five weird years of Dickens' life. And I just have to take the age that comes with all that when I write about it.

When I get about five readers I can rub together in one genre, I leave that genre and go somewhere else. And this is due to a vow that I made myself when I started writing - that if I had any success at all, I would not be bound to one form of writing. That I would write what moves me. The only way I can see me surviving and doing more than one book is to present the readers with a Dan Simmons novel, with whatever tropes and protocols from whatever genre I want to borrow them. If that builds a Dan Simmons readership, well then, okay. Otherwise, forget about it. I'd rather drive a truck.

In such seconds of decision entire futures are made.

Fate and victory shift ... now this way, now that way -- like a line of unarmored men under a hail of enemy arrows.

His imagination was always more real than the reality of daily life.