I started out really making music in my dorm room, and it wasnt really producing or anything like that; it was you making something.

If you're wandering the streets, talking in gibberish, nobody ever asks you to change anything about your art because there's no context for people to look at what you do.

If you're 22 years old and you can't believe you're even in the position to have a career making music, the first thing you're going to think is: Maintain. Don't lose it. And that's precisely what causes you to lose everything.

When I dont have a good time making music, I think of quitting a lot. I really do. I can create something else. Ill do something else.

If you know what kind of music somebody loves, then you can kind of figure out why they do what they do.

I've had nightmares about having to kick people out of my band because they've said that they don't like the Beatles. I'd wake up and turn to them and say, "You like the Beatles, right?"

I'm obviously really opinionated, but as a producer, you don't necessarily want the person you're working with to try to impress you - you want them to just be themselves. Then you can edit or mess around with what they've come up with. But you have to allow the artist that space.