I think if you had different artists approaching the material in different styles, that's very different. I think it's an interesting thing to discover, what's present in the work even when you're shifting the styles. I've just found it a much stronger way to work.

I've felt that in the past, where I just felt like I had to keep drawing in the same way to maintain this sameness and rhythm throughout an entire book, and it was not really necessary.

I was a very fearful little kid, and I would always see the worst in everything. The glass was half-empty. I would see people kissing, and I would think one was trying to bite the other.

For example, I noticed that every single kid in the high school in 'The Death-Ray' is based on somebody I went to high school with.

I don't read much of anything online.

I feel like I understood the language of comics. I had a real fluidity with that medium at a very early age.

But I enjoy the opportunity to use swear symbols.