I'm woefully one-track-minded.

I would wish for any one of my colleagues to have the experience of working with Martin Scorsese once in their lifetime.

I find it easier to work when it's quiet.

I don't deal at all well with the relative amount of stuff I have to face already.

I'm a little bit perverse, and I just hate doing the thing that's the most obvious.

One of the great privileges of having grown up in a middle-class literary English household, but having gone to school in the front lines in Southeast London, was that I became half-street-urchin and half-good-boy at home. I knew that dichotomy was possible.

I broke things to get attention.