In terms of whether I use humor to allow me or my readers to come up for air, I don't think I put that much thought into it. I hate to say it, but I first have to entertain myself before I can think about the reader. I know that's kind of weird and selfish, but I write because it's fun, not because I need to put bread on the table.

I think being raised within a Mexican Catholic family made magical realism a very natural part of who I am as a person and as a writer. My parents always told us great stories that often had magical elements and roots within Mexican folklore. Also, I remember my father reading a book to me, when I was very young, about the lives of saints. Those were crazy scary stories! Maybe he was trying to scare me into being a good person. In the end, magical realism offers me untethered freedom to explore human frailty and the way we clumsily cobble together our lives on this strange planet.

The amplification of our diverse literary voices is a political act of resistance. Our lives are important, too. Our lives should be represented in our literature. And that literature is vital, compelling, and accessible. That literature deserves to be disseminated and noticed and available. And with respect to the dissemination and promotion of diverse voices - librarians, educators, and editors of literary journals play such an important role. They deserve not only a hearty shout out, but also our thanks and support.

Book critics certainly are judges who wield a tremendous amount of power in terms of whether or not a book will reach a wider audience. That's one of the reasons why I try to give coverage to books written by Latinx writers; too many worthwhile works of literature do not get the kind of coverage they deserve, and I've certainly seen that with respect to books written by writers of color. But there are some wonderful, diverse writers out there who mentor and otherwise support those voices that often have been ignored by much of the mainstream press.

In terms of whether I use humor to allow me or my readers to come up for air, I don't think I put that much thought into it. I hate to say it, but I first have to entertain myself before I can think about the reader. I know that's kind of weird and selfish, but I write because it's fun, not because I need to put bread on the table.

I like to envision the creation of a short story collection as being like putting together a jazz album. Yes, there's logic and literary structures imposed by me, but at the same time, all the tracks are shaped and ordered in a much more improvisational manner. The guiding principle for me is whether or not a story adds a layer or texture to the overall collection.

The fact that I am constantly immersed in the act of legal writing and editing has made me a better and more efficient creative writer and editor. In the end, lawyers need to tell compelling stories when they write a brief or other legal argument. A successful lawyer understands that the judge is merely a person who is going to read that brief, which should articulate a compelling reason for the judge to rule in that lawyer's favor. In other words, a legal advocate needs to get the judge to care. That's not dissimilar to what a creative writer does.