Most beginning writers - and I was the same - are like chefs trying to cook great dishes that they've never tasted themselves. How can you make a great - or even an adequate - bouillabaisse if you've never had any? If you don't really understand why people read mysteries - or romances or literary novels or thrillers or whatever - then there's no way in the world you're going to write one that anyone wants to publish. This is the meaning of the well-known expression "Write what you know."

A castaway in the sea was going down for the third time when he caught sight of a passing ship. Gathering his last strength, he waved frantically and called for help. Someone on board peered at him scornfully and shouted back, "Get a boat!

You're captives of a civilizational system that more or less compels you to go on destroying the world in order to live. … You are captives—and you have made a captive of the world itself. That's what's at stake, isn't it?—your captivity and the captivity of the world.

If you can’t discover what’s keeping you in, the will to get out soon becomes confused and ineffectual - "Ishmael

....he began to speak to me, not in the jocular way of visitors to the menagerie but rather as one speaks to the wind or to the waves crashing on a beach, uttering that which must be said but which must not be heard by anyone.

You never actually know how you're going to handle a problem until you actually have it.

We are all captives of a story.