Most beginning writers - and I was the same - are like chefs trying to cook great dishes that they've never tasted themselves. How can you make a great - or even an adequate - bouillabaisse if you've never had any? If you don't really understand why people read mysteries - or romances or literary novels or thrillers or whatever - then there's no way in the world you're going to write one that anyone wants to publish. This is the meaning of the well-known expression "Write what you know."

I hope it will not be too long before the technologies that support our population explosion begin to be perceived as no less hazardous to the future of life on this planet than the endless production of radioactive wastes.

There's nothing fundamentally wrong with people. Given a story to enact that puts them in accord with the world, they will live in accord with the world. But given a story to enact that puts them at odds with the world, as yours does, they will live at odds with the world. Given a story to enact in which they are the lords of the world, they will ACT like lords of the world. And, given a story to enact in which the world is a foe to be conquered, they will conquer it like a foe, and one day, inevitably, their foe will lie bleeding to death at their feet, as the world is now.

That evening I went for a walk. To walk for the sake of walking is something I seldom do. Inside my apartment I'd felt inexplicably anxious. I needed to talk to someone. to be reassured or perhaps I needed to confess my sin: I was once again having impure thoughts about saving the world. Or it was neither of these - I was afraid I was dreaming.

The world is not in any sense in danger from itself. The world is in fact not in any danger at all. It is we who are in danger.

Thinkers aren't limited by what they know, because they can always increase what they know. Rather they're limited by what puzzles them, because there's no way to become curious about something that doesn't puzzle you.

When you send off a short story, it sits on the editor's desk in the same pile with stories by the most famous and honored names in present-day writing-and it's not going to be accepted unless it's as good as theirs. (And it'll probably have to be better.)