I mean I've seen 3D films so far and I think it's a long way to go before they replace actors. It's a funny thing with 3D, I haven't quite got it yet. Yet.

I would consider doing any part as long as the script is good and the film has an interesting director.

As an artist, you have a path that you're on that evolves with the kinds of stories you want to tell.

I remember Paul [Dano] had said at one point that when he finished this film [Swiss Army Man] was the strongest he'd ever been just from lugging me around for [several] weeks.

I don't know what to do with it. I'm very fortunate to have it, and it gives you room to maneuver. But the main thing about having money is it means you don't have to worry about it. And that for me is a lovely thing. It's not for fast cars and hookers.

Every day I would come to set [of Swiss Army Man] going like, "How are we going to do this?".

I've always had a slightly overactive imagination.