The Master and Margarita is my favorite. To me it’s the greatest exploration of the human imagination.

As much as I would love to be a person that goes to parties and has a couple of drinks and has a nice time - that doesn't work for me. I do that very unsuccessfully. I'd just rather sit at home and read, or go out to dinner with someone, or talk to someone I love, or talk to somebody that makes me laugh.

We sing a lot of the soundtrack in this film [Swiss Army Man] - me and Paul Dano - and on the last day of filming we had to just get into the back of our sound mixer's van and record a really crappy, rough version of the singing then. For some reason that was one of the most fun days.

When you get as lucky as I got, you have to work as hard as possible to earn that luck.

Fans are really important for me. And if they take pains to write me, it's the minimum that I answer myself.

In terms of drama school, what that will give you that you won't necessarily learn on a film set is the technical ability - ie, projecting your voice and stage craft.

I think it's useful, as a famous person, to have as little separation between the perception of you and how you really are - because otherwise I'd be sitting here thinking I'm keeping secrets, and wondering when you're going to find out.