I don't really care about how I look.

I take things in better when I'm allowed to talk, and respond, and engage and move around a bit.

It was a lot of fun to play a character [in Swiss Army Man] with no inhibitions, and with no knowledge of the world, and who comes into the world kind of like a blank slate. It means there's no template or blueprint for how you need to play certain scenes.

I think I'm always very naïve. With 'Kill Your Darlings' and 'Horns', I'm like, "Why wouldn't everybody love this?" But I guess it's going to divide people in some ways. But if you're willing to go with it and suspend your disbelief, you're going to get something amazing and something unlike anything else.

I'm somebody who is very, very proud to have been a part of the British film industry all my life and to have kind of been involved with a very important piece of British film history.

What I love about the gay thing is that every single person I type into Google, it doesn't matter if it's Florence Welch, anybody, if you are not being called gay you don't have a career. That's my theory!

I don't want to say I'll never play someone with a cockney accent, but I think I would be irritated by me doing it.