The paparazzi were outside the theatre every single night, but we came up with a cunning ruse. I would wear the same outfit every time - a different T-shirt underneath, but I'd wear the same jacket and zip it up so they couldn't see what I was wearing underneath, and the same hat. So they could take pictures for six months, but it would look like the same day, so they became unpublishable. Which was hilarious, because there's nothing better than seeing paparazzi getting really frustrated.

And well historically it's never been a good thing to compare yourself to biblical characters.

There's a lot of work that needs to be done, and there's a difference between talking the talk and walking the walk.

I definitely think the idea of friend zone is just men going, 'This woman won't have sex with me.'

One of the things that I cannot fathom is young actors who will not audition and won't read.

As an artist, you have a path that you're on that evolves with the kinds of stories you want to tell.

I think it was pretty obvious early on that we had both come with kind of the same attitude of "Let's just [jump] in," and neither of us was going to be precious about it. I feel like the thing that we learned is, weirdly, the most intimate thing or a very intimate thing you can do to somebody is hold their tongue with your fingers. When Paul [Dano] is making me talk [in Swiss Army Man].