My job to make sure that thing is kick-ass - takes the mold, jumps on it, throws glitter all over it, smashes it, kicks it around, and drops the mic. If we don't do that, then we deserve not to have a hit.

There's no blueprint for where I should be. I see myself as a young, good actor who still has a lot to learn. There's nobody at any point in their career who is the finished article.

There's no shame in enjoying a quiet life. And that's been the realization of the past few years for me.

It's really good to talk about it [ hydraulic penises and prosthetic butts], and it's very gratifying when people ask us about the other aspects of the film [Swiss Army Man], but [those things] are part of the movie and they're important and hilarious, a very fun part of the movie, so there's no sense from us of not wanting to talk about that. I think it's exciting that those things exist in a film that is also very heartfelt and emotional and profound.

People who have car collections - I never understood that. I always thought that was unnecessary. It's not beautiful, it's not creative. It's just showing how much money you've got.

I think I'm always very naïve. With 'Kill Your Darlings' and 'Horns', I'm like, "Why wouldn't everybody love this?" But I guess it's going to divide people in some ways. But if you're willing to go with it and suspend your disbelief, you're going to get something amazing and something unlike anything else.

It was a lot of fun to play a character [in Swiss Army Man] with no inhibitions, and with no knowledge of the world, and who comes into the world kind of like a blank slate. It means there's no template or blueprint for how you need to play certain scenes.