There is always this thing of will you get too old for your part? But people are playing a lot younger than they actually are in real life. I don't think it's as big an issue as a lot of people are making it out to be.

And the people I'm best friends with on the films are not generally the actors.

My dad's got a brilliant eye for scripts 'cos he's a literary agent. He and my agent read a load of scripts and filter them.

There's no blueprint for where I should be. I see myself as a young, good actor who still has a lot to learn. There's nobody at any point in their career who is the finished article.

We would choreograph [ with Paul Dano] before each scene [in Swiss Army Man] and very quickly got to a place where we could improvise physically in scene and know that the other person would respond in character appropriately. So that [dynamic] was a lot of fun.

I remember Paul [Dano] had said at one point that when he finished this film [Swiss Army Man] was the strongest he'd ever been just from lugging me around for [several] weeks.

Maybe it's a compliment to the film that you can't do that with it, that it can't be explained in 15 seconds.