I think it was pretty obvious early on that we had both come with kind of the same attitude of "Let's just [jump] in," and neither of us was going to be precious about it. I feel like the thing that we learned is, weirdly, the most intimate thing or a very intimate thing you can do to somebody is hold their tongue with your fingers. When Paul [Dano] is making me talk [in Swiss Army Man].

There were a few years there when I was just so enamored with the idea of living some sort of famous person's lifestyle that really isn't suited to me.

I'm possibly a very morbid person but I think about death a lot. I don't know if it's maybe from being on films that's often playing Harry [Potter] or I just think it's a natural thing that I have. It's something that I think about just because it's fascinating in a very alien kind of way.

I'm somebody who is very, very proud to have been a part of the British film industry all my life and to have kind of been involved with a very important piece of British film history.

I don't think that you necessarily need a certain type of background to take on roles. You see actors from very, very privileged backgrounds playing working class characters and vice-versa. I don't think your background limits you as to what you can do.

There's no shame in enjoying a quiet life. And that's been the realization of the past few years for me.

I played bass for a year, but I wasn't getting better at it, so I decided to stop so I could see my friends.