I think it was pretty obvious early on that we had both come with kind of the same attitude of "Let's just [jump] in," and neither of us was going to be precious about it. I feel like the thing that we learned is, weirdly, the most intimate thing or a very intimate thing you can do to somebody is hold their tongue with your fingers. When Paul [Dano] is making me talk [in Swiss Army Man].

The idea the actors are the most important people on a film set I think is very stupid. Actors are the most replaceable people there. There are literally millions of us. There's very few people that can operate a steady-cam. The numbers are a lot, lot fewer for that, you know?

When I get into trouble at school I'd like to take an invisibility cloak, drape it over me and sneak out the door. Or I'd like to have a 3 headed-dog because then no one would argue with me.

As far as I can tell, most actors' main motivation is self-doubt and neuroses.

I don't know where my romanticism comes from. My mom and dad would read to me a lot. 'Treasure Island,' 'Robinson Crusoe,' tales of chivalry and knights, things like that. Those are the stories I loved growing up.

How irritating it must be for people, to be bombarded with me!

I don't think of those things [from farting, to male on male affection, to crossdressing] as being taboo, I suppose, so it didn't strike me as, "Oh, I'm breaking boundaries and stuff..."