I could never do stand-up because it's that thing of having to get up on stage. And out of every 10 jokes you tell, nine of them have to get a really good response.

It's important to say that the more challenging a scene is, in a way, the more fun it is because the more of my job I get to do.

It's almost a problem how much I enjoy my work.

Every day the Daniels [Kwan and Scheinert] would come up with some amazing solution and [make it easy] to put yourself in their hands. There's something really lovely about knowing you're working with directors who know exactly what they want and exactly what they're looking for, and they're not going to move on until they have it. That, as an actor, frees you up a lot because you can [try different approaches] and they'll only use what's appropriate.

The thought of dancing scared me. A lot. Because I have absolutely no aptitude for it.

Fans are really important for me. And if they take pains to write me, it's the minimum that I answer myself.

Sometimes you can't help but pay attention to what is written about you. You are trying not to because it's generally not constructive, it can be very funny, in which case it's fine to pay attention to it if you're going to laugh about it. But if it's going to get you angry then it's a pretty pointless waste of energy, so I try and be selective about what I take an interest in about myself.