I would like to initiate an initiative - the Broadway Annoying Audience Member Relocation Programme.

In some ways, you get to find your voice better in [a sequel] because you have to define how you're doing it differently.

Don't try too hard to be something you're not.

When you're seventeen to early twenties, that's the time you're trying to work out who you are. If you're trying to make some kind of artistic or creative impact, that's the age when you start to figure out how to do that.

I don't think there's anything that I would really baulk at doing on-screen. I don't think so. I've got certain pet peeves about writing... my pet peeve about reading scripts is when they give you a line reading and there'll be a line but next to your character's name it'll say 'very angry'. But I'm like: "Well, I'll decide that actually!" So, there's little things like that. That's a slight pet peeve.

I always feel that if you put me in a room with a director and a writer and let me talk about the script, I can give a good account of myself.

I like the idea of being a youngish parent. So I've got energy to play football even though they'll be better than me by the time they're four.